Envelope Poems

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What draws you to her work? And particularly her manuscripts? What’s it like to handle her manuscripts? To see her handwriting? Lccn 2015047826 Ocr tesseract 5.2.0-1-gc42a Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.8212 Ocr_module_version 0.0.18 Ocr_parameters -l eng Old_pallet IA-NS-1200429 Openlibrary_edition

Fourth, there’s the mysterious presence on A 821 of other sets of pinholes. Was this document pinned to other documents we haven’t yet identified?

Although barely 150 years have passed, why is it that scholars cannot agree on the implications of this letter?

From 1999-2012 I worked at The MacDowell Colony, the nation’s oldest artist colony, but I've also done time at an arts magazine, a library, an art museum, and a raptor rehabilitation center. In May of 2012 I left MacDowell to pursue writing, speaking, curating, and creative projects full-time. I smile when you suggest that I delay “to publish”—that being foreign to my thought, as Firmament to Fin. —Conjunctions of the Literary and the Philosophical in Twentieth- and Twenty-First-Century American Writing Let’s start from the smallest particle of all, the syllable. It is the king and pin of versificati (...) For Proust,” Susan Howe writes in her Preface to The Gorgeous Nothings,“a fragment is a morsel of time in its pure state; it hovers between a present that is immediate and a past that once had been present.”