Womens Jane Seymour Costume Dress SIX The Musical Cosplay Outsuit Top Skirt for Musical Performance Halloween

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Ham-to-Ham Combat: The queens eventually devolve into shouting matches and flaunting their big personalities for the audience to see. Catherine Parr is the only queen not to participate in this. Catherine’s Six solo could’ve been a “super emotional [sad] ballad,” says Moss. Instead, she and Marlow chose to emphasize the queen’s defiance, emulating Beyoncé’s “ Run the World (Girls)” and setting the tone for the rest of the musical. The song: “ Get Down,” a 16th-century take on the rap and hip-hop “trope of being popular and bragging about your Ferrari and your Grey Goose,” says Moss Child Pop Star: Katherine Howard is styled as one, after her queenspirations Britney Spears and Ariana Grande.

Anna of Cleves' crowns are placed on the sides of her head. During a portion of the original UK Tour, she had a single crown in the form of a spiked visor. Double-Meaning Title: "Don't lose ur head" can represent Anne Boleyn taunting Catherine to not become agitated from her presence, or the fact that Anne's inevitable fate was to literally lose her head to an executioner.Green and Mean: Downplayed with Anne Boleyn. She's no villain, sure, but she does consistently litter dialogue with derisive quips and insults. Country Matters: Anne Boleyn's second song, "Wearing Yellow to a Funeral", starts with "Catherine was a MASSIVE c—". The C-word usually gets cut off or drowned out by the other queens, but sometimes it can be heard loud and clear. Anne Boleyn was portrayed by Millie O’Connell in the first UK Tour and the original West End production of Six the Musical. O’Connell is also known for her roles in Be More Chill, Soho Cinders, 42nd Street, and Thoroughly Modern Millie. About Katherine Howard It also appears that some of the cast took publicity photos in different clothes at some sort of historical building at some point; I’ve included those in the slideshows as well.

Anne of Cleves' song, "Get Down", is one long badass boast about how she was able to become extremely rich and live in splendour for the rest of her life due to her divorce with Henry VIII.It also has Henry rejecting Christina of Denmark as a potential wife. In real life, it was the other way around; Henry campaigned for Christina's hand for some time, but she and her relatives were completely averse to her marrying the English king. Understandable, since Christina's great-aunt was Catherine of Aragon. Commonality Connection: Anne Boleyn immediately begins a rapport with Katherine Howard upon realizing they were cousins who were both executed via decapitation. The original orange alternate costume ◊, assigned to Aragon and Parr, sports large shoulder pads and chain-laden trousers. Orange is a similar colour to gold, and it can represent power — something that both Aragon and Parr are associated with. When Jane Seymour bounds towards and scolds Catherine of Aragon for daring to use Mary as a way to one-up everyone else, an increasing popular acting choice is for her actress to (subtly or not-so-subtly) punctuate her tirade by vainly posing towards the audience afterwards. The musical implies that Katharine Howard lost her virginity to the much older Thomas Mannox. In reality, while they certainly had a deeply inappropriate relationship there's no evidence it went beyond sexual touching — perverted and wrong, but not actual sex. Both insisted when interrogated at Katharine's adultery trial that this was the case even when Mannox was put to torture to get the truth. In addition, some historians have questioned if Mannox was actually older than Katherine, as reliable information about his age at the time is hard to come by.

Though Catherine of Aragon’s marriage to Henry lasted 24 years—collectively, his five other marriages spanned just 14 years—she has long been overshadowed by her successors. The daughter of Spanish monarchs Ferdinand and Isabella, Catherine came to England as the bride of Henry’s older brother, Arthur, Prince of Wales. But Arthur died shortly after the pair’s wedding, leading the Spanish princess to (eventually) marry his heir, Henry.Present-Day Past: Invoked, as the queens are telling their story to a modern audience through the lens of modern pop music and allusions to modern pop culture. Most prominently is the depiction of Henry VIII finding Anna of Cleves' portrait, which is framed like he's swiping through a dating app. His disappointment in how she looks in real life is spun as her not looking as "good as [she] did in [her] pic".