Freud/Lynch: Behind the Curtain

Product Information

I hope to draw out some Lynchian lessons about the structure of desire and the function of the law, and to offer some psychoanalytic reflections on some of Lost Highway‘s many enigmas. Freud/Lynch: Behind the Curtain takes as its point of departure that Lynch’s work is not so much unintelligible as ‘uncanny,’ revealing what Todd McGowan has termed “the bizarre nature of normality” – and the everydayness of what we take to be strange.

Rather than presuming to fill in what Lynch leaves open by positing some forbidden psychosexual reality lurking behind his trademark red curtains, this book instead maintains a fidelity to the mysteries of his wonderful and strange filmic worlds, finding in them productive spaces where thought and imagination can be set to work.

Cox Cameron’s presentation will be prefaced with some introductory comments by the book’s editors, Jamie Ruers and Stefan Marianski. Does he even have the answers himself, or is he too just enjoying the mysteries contained in the dream? Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period.

Approaching this mutual territory from contending directions, an important unification is achieved through the essays in this spirited collection: what appear to be opposing modes of uncovering the most obscured patches of human consciousness are revealed to not just share complementary features. Dr Olga Cox Cameron analyses the movie in relation to Freud’s dream logic as well as Lacan’s theories. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. Filled with sickly rooms, dark corridors and oppressive small towns, David Lynch’s work often generates feelings of claustrophobia and confinement.Encompassing themes such as art, identity, architecture, fantasy, dreams, hysteria and the unconscious, ‘Freud/Lynch’ takes as its point of departure the possibility that the enterprise in which these two distinct investigators are engaged might in some sense be a shared one. Jamie Ruers is an art historian specialising in art and culture from Vienna 1900 and Surrealist art and film. In the first of the PROJECTIONS lectures, these titles will be considered as forming a 'trilogy of blurred identity', where the central character in each instalment experiences a psychogenic fugue following the trauma of unrequited love within marriage and/or Hollywood. PROJECTIONS empowers film spectators to express subjective associations they consider to be meaningful.

Expertise in psychoanalytic theory is not necessary - the only prerequisite is the desire to enter and inhabit the imaginary world of film, which is itself a psychoanalytic act. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.Why does he invite us into his own dreamscapes and then leave us to figure our own way out, with just a liberal scattering of clues to help? Defining a cultural moment with some notes from Freud and Lacan Carol Owens CHAPTER 3 Dream logic in Mulholland Drive Olga Cox Cameron CHAPTER 4 Lost angels in Los Angeles: Lynchian psychogenic fugues Mary Wild CHAPTER 5 "It's a strange world, isn't it?

We respectfully acknowledge the ancient cultural presence in the Australian landscape by First Nation peoples and their ongoing traditional and spiritual custodianship of the marine areas, beaches, bush, rivers, lakes and mountains. He has organised a number of events and conferences on psychoanalytic themes, and has written and lectured on dreams, sexuality, anthropology, surrealism, and masculinity. He is also a member of the Psychosis Therapy Project, which provides low-cost psychoanalytic psychotherapy for people experiencing psychosis. this collection raises several important questions, pertinent both to psychoanalysis and an appreciation of Lynch. Freud/Lynch: Behind the Curtain takes as its point of departure that Lynch’s work is not so much unintelligible as ‘uncanny,’ revealing what Todd McGowan has termed “the bizarre nature of normality” – and the everydayness of what we take to be strange.

She lectured in Psychoanalytic Theory and also in Psychoanalysis and Literature at St Vincent’s University Hospital and Trinity College from 1991 to 2013 and has published numerous articles on these topics in national and international journals. In this special LiS event, Olga Cox Cameron will be presenting her contribution to a new collection of essays, Freud/Lynch: Behind the Curtain.