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Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm. Below that is another fairly common switch, a s stage focus range limiter. It’s great for eliminating certain distances from your autofocus range, and for speeding things up a bit when shooting. Manchester, United Kingdom – Thursday 27th January, 2022, Holdan, a specialist distributor to the professional video, broadcast and photography sector, has today announced Samyang’s autofocus evolution of its popular 135mm prime lens. It is exclusively distributed by them in the UK and Ireland.
Holdan, a specialist distributor to the professional video, broadcast and photography sector, has today announced Samyang’s autofocus evolution of its popular 135mm prime lens. It is exclusively distributed by them in the UK and Ireland. The AF 135mm F1.8 FE features 3 different customized buttons such as Focus Hold Button, Custom Switch, and Focus Range Limiter Switch to enhance usability. When it comes to close-up work both lenses are quite impressive. The Sony can focus as close as about 68cm, significantly closer than most 85mm lenses for example and the Samyang is even better at 66cm. The Samyang focus ring on our copy of the lens doesn’t seem to have the same smoothness as the Sony does. Otherwise, it works fine and does the job. Flare is virtually non-existent, the UMC coating being superb at suppressing any artefacts and maintaining contrast even in challenging lighting conditions.
Samyang AF 135mm Build, Design and Handling
Important features include customisable: A Focus Hold button, Custom Switch and Focus Range Limiter. Overall, this is a lens that meets or exceeds professional requirement for control and reliability for both stills and movies. The Bokeh of both lenses is very good and fairly similar. In some places, the Sony bokeh balls look better and in others those of the Samyang do – so you can call this one a tie. Pas encore de profil de correction en Lightroom, mais vu la faible distorsion et vignettage ce n’est pas un problème When the camera body is turned off, or the camera is operating in the sleep mode, astrophotographic shooting mode will be canceled. Between the 2, if money is not important, it is a matter of taste in term of rendering with more crunchy image with the Samyang , more subtle for portraits with the Sony and also a matter ofAF efficiency for Sports where the Sony is superior and the only one compatible with 20fps on A9 and 30fps on A1
Custom Switch - There is a custom switch, which can be set to allow adjustment of the aperture silently by rotating the focus ring. Using the optional Lens Station, you can set up the mode to suit your own preference (more functions will be added through firmware updates in the future). The Bokeh balls are excellent wide open. Bokeh balls are no more circular as of F4 and exhibit the 11 blades with the same basic picture qualities, Etc. I have a D750 and D858 with 18-35 3.5, 28mm 1.8, and 85 1.8 (An 105 2.8 might be a better Holdan has announced that Samyang has introduced a newAF 135mm f/1.8 prime lens that's compatible with Sony E Mount cameras, adding to the already impressive line-up of24mm, 35mm, 45mm and 75mm focal lengths available in the Samyang autofocus f/1.8 FE series.The AF range is set from 1.5m to infinity, which is suitable for normal shooting. Short minimum focal distance of 0.69m The lens is bulky but not overly heavy, weighing in at 770g without a hood and 880g with. The provided circular hood, of generous proportions, bayonets lightly but positively into position. A nice simple bit of engineering that results in a secure fit. Within the bayonet fit for the hood is a standard 82mm filter thread. Moving over to the corners we would say that both lenses are equally as sharp and demonstrate excellent performance even wide open. Again, with the auto corrections turned off the Sony is visibly darker. The Sony is also outstanding in term of sharpness but a tiny bit less sharp than the Samyang, It is the best one in term of AF for sports , it has a little bit better bokeh balls (more rounded as of F4) and a mure subtle and gentle color rendering
Apart from the astrophotography that was not tested because of the weather, the lens was faultless in its operation. Suitable subjects are landscapes, architecture, portraiture, sports events, street and low light. The SteadyShot system built into Sony camera bodies effectively helps to keep images as crisp as possible. There is a custom switch, which can be set to allow adjustment of the aperture silently by rotating the focus ring. Using the optional Lens Station, you can set up the mode to suit your own preference. When you press the focus hold button briefly once, focus will return to the infinity position automatically and the color of the LED will change to green. Next, we moved to the AF test. This is where a lot of the differences between first- and third-party lenses can be found these days. We tested both lenses in stills and video shooting two targets about 3 meters apart in both lit and ultra-dim conditions (ISO 12,800).
The Samyang has 13 elements in 11 groups including one U-ASP, two HR, and three ED elements. Materials Sony 135mm f/1.8 and f/2.8 top (left and right respectively) and Samyang-135mm (same, button) close up center sharpness
The shots it achieves though, bloody hell they’re good. It’s definitely a lens I’ll be using more of in the future for stuff like this. I hear it called a “portrait lens” all the time. What does that even mean? It’s just a lens. A lens that shoots great portraits, yeah sure, but it’s just a lens. It’s a 135mm f1.8 and you can use it for all kinds of stuff, portraits, landscapes, or just filming yourself drink a coffee in the rain. The AF 135mm f/1.8 does have weather sealing as well that protects the lens from light rain, snow, and dust. AutofocusThis may well change in the near future, but the benefit for owners of Sony mirrorless cameras is the potential for more affordable equivalents of Sony's pricey G-Master lenses. Even if Canon and Nikon's mirrorless cameras do offer adapters that allow you to use their older DSLR lenses. For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm. The SAMYANG 135mm F1.8 AF and the Sony FE 135mm F1.8 GM are ahead of the Sigma 135mm F/1.8 DG HSM Art / Samyang 135mm F2 AS UMC / Zeiss Batis 135mm F2.8
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