Film and Theory : An Anthology

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Rosen, Philip, ed. Narrative, Apparatus, Ideology: A Film Theory Reader. New York: Columbia University Press, 1986.

Auerbach, Erich 1953. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Princeton: Princeton University Press.Armstrong, Dan 1989. “Wiseman’s Realm of Transgression: Titicut Follies, the Symbolic Father and the Spectacle of Confinement,” Cinema Journal Vol. 29, No. 1 (Fall).

A cognate theme was the celebration of film as a new universal language, a theme which resonated, as Miriam Hansen points out, with sources as diverse as the French Enlightenment, the metaphysics of Progress, and Protestant Millennialism (Hansen, 1991, p. 76). The cinema could thus repair the ruins of Babel and transcend barriers of nation, culture, and class. As a contributor writes in American Magazine (July 1913), there is in the cinema This essay explor... more Originally published in New Literary History Volume 40, Number 3, Summer 2009. Adorno, T. W. 1978. Minima Moralia: Reflections From a Damaged Life. Trans. E. F. Jeph. London: Verso.Cohen, K. (1979) Film and Fiction: The Dynamics of Exchange. New Haven and London: Yale University Press. Unthinking Eurocentrism: Multiculturalism and the Media (Routledge, 1994), coauthored with Ella Shohat With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema, and media studies. Find sources: "Robert Stam"– news · newspapers · books · scholar · JSTOR ( September 2011) ( Learn how and when to remove this template message)