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All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer.”—Ira Glass When you teach and share your work with others, you’ll get an education in return. People will see your stuff, connect with it, and reach out to you with recommendations and their own thoughts. This is magic. 7. Don’t turn into human spam Kleon's works focus on creativity in today's world. He has spoken at organizations such as Pixar, Google, and TEDx, [6] [7] and at conferences such as The Economist's Human Potential Summit and SXSW. [8] Early life [ edit ]
On June 16, 1983, Kleon was born in Circleville, Ohio, United States. Kleon's father was an associate professor at Ohio State University. Kleon's mother was a school counsellor and later a school principal. Kleon has two half brothers and a step sister. Kleon graduated as a valedictorian in high school. [9] [1] [10] Education [ edit ]When you put stuff out there, you’re going to get a bit of criticism. This is natural. Learn to take it. Don’t let the fear of haters stop you from putting yourself out there. They’re a tiny minority, and they have no real power over you. When you feel like you’ve learned everything there is to learn from what you’re doing, it’s time to change course. Find something new to learn so that you can move forward. Embrace the spirit of the amateur. Y ou can’t be content with mastery in one area, you need to push yourself to become a student again. It’s like when comedians throw away their old sets: “when you get rid of old material, you push yourself further and come up with something better. When you throw out old work, what you’re really doing is making room for new work. You have to have to courage to get rid of work and rethink things completely”. The thing is, you’re not really starting over. You can never really start over, because w hilst you may clear out old things, you’re still a different person thanks to all of the things you done and learnt along the way. When you throw out old work, what you’re really doing is making room for new work. You have to have the courage to get rid of work and rethink things completely. Show Your Work! is about why generosity trumps genius. It’s about getting findable , about using the network instead of wasting time “networking.” It’s not self-promotion, it’s self-discovery―let others into your process, then let them steal from you. Filled with illustrations, quotes, stories, and examples, Show Your Work! offers ten transformative rules for being open, generous, brave, productive.
He even paraphrases other writers like Blake Butler by mentioning the open mode. There is some truth in both the ideas the author is sharing. But he should have expressed his opinion rather than projecting these two ideas onto the readers, which might confuse them.The key takeaway from this chapter is you’re not worth following unless there is something to follow. If you burn out, take a sabbatical. Also take practical sabbaticals—daily, weekly, or monthly breaks where you walk away from our work completely. Or imagine something simpler and just as satisfying: spending the majority of your time, energy, and attention practicing a craft, learning a trade, or running a business, while also allowing for the possibility that your work might attract a group of people who share your interests. If you have something so sensitive or too close to you that any criticism would be debilitating, then keep it hidden. Everybody says they want artists to make money, and then when they do, everybody hates them for it.
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