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Disco was instrumental in the development of electronic dance music genres like house, techno, and eurodance. The Eurodisco song I Feel Love, produced by Giorgio Moroder for Donna Summer in 1976, has been described as a milestone and blueprint for electronic dance music because it was the first to combine repetitive synthesizer loops with a continuous four-on-the-floor bass drum and an off-beat hi-hat, which would become a main feature of techno and house ten years later. [68] [69] [111] Sylvester, a flamboyant and openly gay singer famous for his soaring falsetto voice, scored his biggest disco hit in late 1978 with " You Make Me Feel (Mighty Real)". His singing style was said to have influenced the singer Prince. At that time, disco was one of the forms of music most open to gay performers. [82] The anti-disco movement, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night. Starting in the 1980s, country music began a slow rise on the pop chart. Emblematic of country music's rise to mainstream popularity was the commercially successful 1980 movie Urban Cowboy. The continued popularity of power pop and the revival of oldies in the late 1970s was also related to disco's decline; the 1978 film Grease was emblematic of this trend. Coincidentally, the star of both films was John Travolta, who in 1977 had starred in Saturday Night Fever, which remains one of the most iconic disco films of the era.
Andrea Angeli Bufalini & Giovanni Savastano (2014). La Disco. Storia illustrata della discomusic. Arcana, Italy. ISBN 978-8862313223 a b c "House: Significant Albums, Artists and Songs, Most Viewed". AllMusic. Archived from the original on October 6, 2012 . Retrieved October 12, 2012. What the Funk?! How to Get That James Brown Sound". Gibson.com. Archived from the original on March 4, 2016 . Retrieved October 27, 2017. Official Singles Chart Top 50 - 04 May 1975 - 10 May 1975". officialchart.com. Archived from the original on February 25, 2021 . Retrieved January 19, 2021. Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
Bernard Edwards, 43, Musician In Disco Band and Pop Producer". The New York Times. April 22, 1996. Archived from the original on April 24, 2019 . Retrieved October 10, 2022. As disco waned in the late 70s, so did Chic's album sales. But its influence lingered on as new wave, rap and dance-pop bands found inspiration in Chic's club anthems
Once a Hot Disco, Now a Cool Opportunity – Philadelphia Magazine". Philadelphia Magazine. May 18, 2016. Archived from the original on October 28, 2017 . Retrieved October 27, 2017. Disco hit the television airwaves as part of the music/dance variety show Soul Train in 1971 hosted by Don Cornelius, then Marty Angelo's Disco Step-by-Step Television Show in 1975, Steve Marcus's Disco Magic/Disco 77, Eddie Rivera's Soap Factory, and Merv Griffin's Dance Fever, hosted by Deney Terrio, who is credited with teaching actor John Travolta to dance for his role in the film Saturday Night Fever, as well as DANCE, based out of Columbia, South Carolina.
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In the 1970s Munich, West Germany, music producers Giorgio Moroder and Pete Bellotte made a decisive contribution to disco music with a string of hits for Donna Summer, which became known as the "Munich Sound". [68] In 1975, Summer suggested the lyric " Love to Love You Baby" to Moroder and Bellotte, who turned the lyric into a full disco song. The final product, which contained the vocalizations of a series of simulated orgasms, initially was not intended for release, but when Moroder played it in the clubs it caused a sensation and he released it. The song became an international hit, reaching the charts in many European countries and the US (No. 2). It has been described as the arrival of the expression of raw female sexual desire in pop music. A nearly 17-minute 12-inch single was released. The 12" single became and remains a standard in discos today. [69] [70] In 1976 Donna Summer's version of " Could It Be Magic" brought disco further into the mainstream. In 1977 Summer, Moroder and Bellotte further released " I Feel Love", as the B-side of "Can't We Just Sit Down (And Talk It Over)", which revolutionized dance music with its mostly electronic production and was a massive worldwide success, spawning the Hi-NRG subgenre. [69] Giorgio Moroder was described by AllMusic as "one of the principal architects of the disco sound". [71] Another successful disco music project by Moroder at that time was Munich Machine (1976–1980). In Peter Shapiro's Modulations: A History of Electronic Music: Throbbing Words on Sound, he discusses eroticism through the technology disco utilizes to create its audacious sound. [39] The music, Shapiro states, is adjunct to "the pleasure-is-politics ethos of post- Stonewall culture." He explains how "mechano-eroticism", which links the technology used to create the unique mechanical sound of disco to eroticism, set the genre in a new dimension of reality living outside of naturalism and heterosexuality. a b c Brewster, Bill (June 22, 2017). "I feel love: Donna Summer and Giorgio Moroder created the template for dance music as we know it". Mixmag. Archived from the original on June 22, 2017 . Retrieved January 9, 2019. Popular Videos – Prisencolinensinainciusol – YouTube". YouTube. Archived from the original on April 10, 2017 . Retrieved April 1, 2017.
Funky House Music Ahead: Don’t Walk, Dance! No matter the weather, Party Favorz is set to elevate your mood and add a spark to your weekend with our latest Funky House music mix. "Don't Walk, Dance!" is one of those sets that's created in… In Chicago, the Step By Step disco dance TV show was launched with the sponsorship support of the Coca-Cola company. Produced in the same studio that Don Cornelius used for the nationally syndicated dance/music television show, Soul Train, Step by Step's audience grew and the show became a success. The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in the disco clubs. The instructional show aired on Saturday mornings and had a strong following. Its viewers would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized steps. The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park". Cohn, Nik (April 8, 2008). "Tribal Rites of the New Saturday Night". New York. Archived from the original on September 29, 2015 . Retrieved October 2, 2015.Main articles: House music and rave Like disco, house music was based around DJs creating mixes for dancers in clubs. Pictured is DJ Miguel Migs, mixing using CDJ players. Frith, Simon; Brennan, Matt; Webster, Emma (March 9, 2016). The History of Live Music in Britain, Volume I: 1950-1967: From Dance Hall to the 100 Club. Routledge. ISBN 9781317028871– via Google Books. Lawrence, Tim (2004). Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Duke University Press. p.315. ISBN 0822385112. Browne, Malika (August 20, 2004). "It's a big step from disco to Sanskrit chants, but Biddu has made it". The Sunday Times . Retrieved May 30, 2011.
By 1979 there were 15,000-20,000 disco nightclubs in the US, many of them opening in suburban shopping centers, hotels, and restaurants. The 2001 Club franchises were the most prolific chain of disco clubs in the country. [25] Although many other attempts were made to franchise disco clubs, 2001 was the only one to successfully do so in this time frame. [26] Sound and light equipment [ edit ] Major disco clubs had lighted dance floors, with the lights flashing to complement the beat. The reflective light disco ball was a fixture on the ceilings of many discothèques. Some notable professional dance troupes of the 1970s included Pan's People and Hot Gossip. For many dancers, a key source of inspiration for 1970s disco dancing was the film Saturday Night Fever (1977). Further influence came from the music and dance style of such films as Fame (1980), Disco Dancer (1982), Flashdance (1983), and The Last Days of Disco (1998). Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever (1979).The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso's home that became known as The Loft, an invitation-only non-commercial underground club that inspired many others. [17] He organized the first major party in his Manhattan home on Valentine's Day 1970 with the name "Love Saves The Day". After some months the parties became weekly events and Mancuso continued to give regular parties into the 1990s. [56] Mancuso required that the music played had to be soulful, rhythmic, and impart words of hope, redemption, or pride. [43] Zaleski, Anne (February 26, 2015). "Where to start with '80s U.K. synth-pop". The A.V. Club. Archived from the original on February 27, 2015 . Retrieved August 27, 2015. Hot Dance Club Songs – July 2, 2016". Billboard. July 2, 2016. Archived from the original on July 2, 2016 . Retrieved June 21, 2016. a b c d e f "Disco Fashion: That's the way They Liked It". The Ultimate History Project. Archived from the original on October 6, 2017 . Retrieved October 27, 2017. Myron Floren, second-in-command on The Lawrence Welk Show, released a recording of the " Clarinet Polka" entitled "Disco Accordion." Similarly, Bobby Vinton adapted "The Pennsylvania Polka" into a song named "Disco Polka". Easy listening icon Percy Faith, in one of his last recordings, released an album entitled Disco Party (1975) and recorded a disco version of his " Theme from A Summer Place" in 1976. Even classical music was adapted for disco, notably Walter Murphy's "A Fifth of Beethoven" (1976, based on the first movement of Beethoven's 5th Symphony) and "Flight 76" (1976, based on Rimsky-Korsakov's " Flight of the Bumblebee"), and Louis Clark's Hooked On Classics series of albums and singles.
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