Voices in the Dark: My Life as a Medium

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My experience with Mr. Flint is first hand; I have heard the independent voices. Furthermore, modern investigation techniques not available in earlier tests corroborate previous conclusions by indicating that the voices are not his. But to be thorough, one should consider the possibility of live accomplices. This suggestion became untenable for me during his visit to New York in September 1970, when, in an impromptu séance in my apartment, the same voices not only appeared but took part in conversations with the guests. A grandmother then raised him in St. Albans, on broken biscuits and a tuppence worth of jam and let the cinema take care of his pre-school afternoons. So from the start, he was happier in the dark than in the light of day.

To learn more about the mechanism of communication with the deceased, go to: Leslie Flint and his Direct Voice Mediumship Lionel Barrymore describes his Arrival in the Spirit World The above videos were selected to give you a clearer conception of the nature of Leslie Flint's work and how he served as a living communication "bridge" or "telephone" between this life and the life beyond. Amazingly enough, many of these communications were recorded on tape so that others may also listen and learn from them while leaving for all humanity, the most elaborate evidence of life after death ever heard.Ms. Cook was far from being a sylph, she was broad in the beam and her bosoms were of Earth Mother proportions. When Leslie asked his grandmother what happened to the woman she was talking to, she replied that she had been all alone that afternoon and that Leslie was imagining things. When Leslie mentioned that the woman had a large mole on her chin, his grandmother clouted him again. She then revealed that the woman Leslie was describing was Ms. Pugh, who had been buried a month before. Leslie learned not to talk about vanishing people. The psychic gift of being able to see spirit people is called clairvoyance. Leslie Flint Enjoys Praise from his Teacher, Mr. Lewis David Thompson is now conducting séances with direct voices and materializations of those in spirit in the presence of a variety of people with careful, rigid controls. One of those is Victor J. Zammit, lawyer and author of A Lawyer Presents the Case for the Afterlife. You can listen to descriptions of the seances verified by four witnesses: Ken Pretty, Elizabeth Pretty, Gaylene, and Camilla Persson (a journalist).

Reports in detail one experiment where he conducted a séance with elastoplast pressed over his lips, bandages over the elastoplast and his hands and legs tied to a chair. The observers concluded that in spite of the above restrictions the voices were soon speaking with their usual clarity, even shouting. Some twelve persons in the room all heard more than enough to convince the most obdurate skeptic that the sealing of Mr Flint's lips in no way prevented the unseen speakers from saying anything they wished. At the conclusion of the experiment they found the plaster and the cords intact and undisturbed.An extremely vital aspect of the Leslie Flint communications is their spirituality and profound ease of communication and natural spontaneity that one can only rarely hope for in most other seance communications provided by other mediums. Unfortunately for one reason or other, spiritualism via physical mediumship has been steadily declining toward the end of the last century and beginning of this century, and most modern mediums tend to only emphasize proof of survival, personal messages, physical phenomena, and mundane subjects. Even though these are important and do have their place, they should never be the be-all and end-all of all communications between our world and theirs. M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p 122. ISBN 978-1573921619 "A medium still riding high in England is Leslie Flint, famed as an exponent of direct voice. William Rauscher and Allen Spraggett, who attended a sitting Flint held in 1970 in New York, said that it was the most abysmal flop of any seance they had endured. All the spirit voices sounded exactly like the medium and displayed an incredible ignorance of nearly everything pertaining to the sitters. The "mediumship " was second-rate ventriloquism." If actors had agreed to engage in fraud and create these remarkable characters, we would have to wonder how they managed to project their voices so clearly and audibly into the area around the medium when skeptics had the medium bound and gagged and were anxiously watching for fraud. Then, what happened to these hundreds of talented actors since the recordings were made? How is it possible that they've all kept silent about their subterfuge all these years, en masse? It would require an incredible conspiracy to even manage such a feat, but to keep it all secret with hundreds of participants who received no money for their efforts would be simply impossible.

If you were to take an infra-red photograph during a direct voice séance, you would see cords of ectoplasm emanating from the medium and the sitters and joining up to form what looks like a ball of mist, or the voice box, which we understand to be a replica of the vocal organs, and whilst the spirit communicators are using this voice box, they have lowered their vibrations to reach the earth vibration. This explains why the spirit voice may not always sound quite like their original earth voice - it may be a little distorted. The skeptics don't take into account the length of the conversations while being utterly natural, real and meaningful in their nature; or the impossible features of some of the recordings such as voices changing over in mid-sentence or some voices changing pitch; some voices going on and on for over 10 minutes without ever stopping for breath; the strange fact that none of the voices ever coughed or cleared their "etheric" throats; and the incredibly weird descriptions of bubbles coming out of a sitter's (Mr. George Woods) hair as described by spirit communicator and former British school boy, Bobby Tracy. Leslie Flint was often heard speaking or coughing independently of the voices floating around him, which totally rules out ventriloquism. How would one be successful at ventriloquism in the dark anyway? As such, I was particularly interested when I found out about the work of Leslie Flint, who has been proclaimed as the most gifted direct voice medium in history. In contrast to a trance medium, like Kevin Ryerson, where spirits utilize the medium’s vocal cords to communicate with human beings, a direct voice medium is able to use his or her life energy to allow spirit beings to communicate in their own natural voices through an energetic device, an energetic voice box or amplifier, a device that allows spirits to speak to human beings directly.When Leslie was 15 years old, three important events happened in his life. One was the death of his hero Rudolph Valentino, who died at the age of 31 due to complications from perforated stomach ulcers.