Death and the Conjuror: A Locked-Room Mystery

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This was a pitch perfect pastiche of golden age mysteries, from personae dramatis to the appropriately convoluted solution to the puzzle. Twisting and turning and casting suspicion this way and that, with a bunch of perfectly golden-age-style characters all of whom could theoretically do a murderous turn or two, this challenging murder nugget has a lot to offer. The lead detective and the detecting magician certainly have enough to stay busy.

If you love a good whodunnit that will leave you guessing until the very end then this crime debut will have you scratching your head and thirsting for me.

Death and the Conjuror

When Lidia and her playboy boyfriend Marcus Bowman arrive home late one night, they learn Dr Rees’ throat has been slit. His body was discovered by his patient, Cookson, and the housekeeper. Cookson arrived late in a frantic state seeking the doctor’s advice.

What a muddled mish-mash this book is. I’m very surprised a publisher actually considered adding it to their list. From the outset the premise seems very odd. While one has seen detectives of every stamp, it is stretching credulity rather far to believe that a detective would consult an ex-magician on his cases. The rest of the story seems peppered with nonsense, all of which makes for a very unsatisfying read. While there is not much that can be said in its favour, there is much to criticise. London. Young lawyer Edmund Ibbs has a new client: a woman accused of shooting her husband in the already infamous 'Ferris Wheel Murder' case. It’s all wonderfully clever and very satisfying, even if I did only get a third of the way towards solving these mysteries. Four stars. A good addition to a well written classic-style historical series. For fans of Golden Age classic mysteries, this is a good one. The classic great authors of the period aren't producing any more stories, and it manages to evoke the time period without being derivative or precious. The third volume (The Cabaret Macabre) is due out from Penzler in July 2024.Many thanks to NetGalley and Mysterious Press for this Advanced Reader Copy and the opportunity to review The Murder Wheel. All opinions and comments are my own. I loved all the characters. Touching on the different types of psychomachia was clever and made the characters more tangible. Della really was a conundrum and I would have actually liked to have known more about her for my own curiosity. The only character I didn't much care for was the daughter Lidia. I think she was deliberately made unlikeable which shows how much skill the author has.

I love a story like this that lets you discover the mystery along with the detective, and in this case, his colleague who is a magician. At one point, the writer even breaks the fourth wall and stops to ask the reader if they've figured the mystery out! I loved that! And of course, I hadn't figured anything out!Who are the suspects? Dr. Lidia Rees, daughter of Dr. Anselm Rees, seemed to be matter of fact about her father's demise. Her playboy boyfriend had many secrets. What of Patients A, B, and C? Why did the Rees family emigrate to London from Vienna? So many unanswered questions. In London, 1938, young and idealistic lawyer Edmund Ibbs is trying to find any shred of evidence that his client Carla Dean wasn’t the one who shot her husband dead at the top of a Ferris Wheel. But the deeper he digs, the more complex the case becomes, and Edmund soon finds himself drawn into a nightmarish web of conspiracy and murder. Before long he himself is implicated in not one but two seemingly impossible crimes. The writing is top shelf; engaging and smooth. The characters are believably rendered and the plotting is well engineered and sophisticated. The whole is redolent of the time period without being clunky or archaic. I thought it was fitting to set my novel—which pays conscious tribute to the genre—right in the middle of its most productive period. So I suppose you could say that the London I’m writing about is seen through the lens of the golden age. It’s true that all the evidence is there, and in plain sight too. If there are any would-be sleuths amongst you, now is the time to make yourselves known.’

I was particularly fond of the psychological slant to the storyline, with the victim being a psychiatrist and the suspects including three of his patients and his psychiatrically-trained daughter. I love any exploration of the quirks and shadows of the human mind, and here we get glimpses into anxiety, kleptomania and possibly hints of sociopathy… so very intriguing trying to work out how each individual psychological profile might match up to the crimes under investigation. Thank you to publisher Mysterious Press for providing me with an ARC via NetGalley in exchange for an honest review. An intricate, elegantly written ‘impossible’ crime that completely fooled me. Tom Mead is already a master of the art of misdirection.”German immigrant Dr Anselm Rees has recently relocated to London, along with his daughter, Dr Lidia Rees. Mead wisely sets the story a few years before the gathering war clouds would have complicated things even further. The elder Dr Rees – sometimes referred to as a psychologist and sometimes as a psychiatrist – has gradually acquired a list of only three patients. They are the musician Floyd Stenhouse, actor Della Cookson and author Claude Weaver. It's 1930s London and there is a murder. Psychiatrist Anselm Rees has been murdered and the murderer has disappeared under impossible circumstances. What we have here is a closed room mystery but actually there is more than one closed room mystery before the story is over. It's the job of Scotland Yard Inspector George Flint to find the murderer and when confronted with the impossibility of the crime he calls on retired stage magician-turned-part-time sleuth Joseph Spector.