Sir Robin of Locksley Gin, 70 cl

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Knight, Stephen Thomas; Ohlgren, ThomasH. (1997). Robin Hood and Other Outlaw Tales. Medieval Institute Publications. ISBN 978-1580440677. The LIVE virtual tastings are carried out in the last week of the month. Please keep an eye on our socials for confirmed dates! Davis, John Paul (20 July 2016). Robin Hood: The Unknown Templar. Peter Owen Publishers. pp.21–. ISBN 978-0-7206-1865-5. Although de Ville does not explicitly connect John and Robert Deyville to Robin Hood, he discusses these parallels in detail and suggests that they formed prototypes for this ideal of heroic outlawry during the tumultuous reign of Henry III's grandson and Edward I's son, Edward II of England. [117] Roger Godberd Albert Dauzat, Dictionnaire étymologique des noms de familles et prénoms de France, Librairie Larousse, Paris, 1980, Nouvelle édition revue et commentée par Marie-Thérèse Morlet, p. 523b.

For Butcher & Catch, these events are a continuation of a successful first 18 months in the city. “Broomhill and the surrounding areas have a really nice community feel, and we’re very grateful for the support we’ve had since we’ve been open. I think the fact that we have regular evolving seasonal menus keeps it interesting for our guests. The hospitality industry is challenging and ever-evolving, but we love being part of it and seeing new, independent local businesses thriving in this competitive market. It’s a very exciting and interesting time to be in the restaurant trade!” Davis indicates that there is only one church dedicated to Mary Magdalene within what one might reasonably consider to have been the medieval forest of Barnsdale, and that is the church at Campsall. The church was built in the early twelfth century by Robert de Lacy, the 2nd Baron of Pontefract. [148] [149] Local legend suggests that Robin Hood and Maid Marion were married at the church.

Hilton, R. H., The Origins of Robin Hood, Past and Present, No. 14. (Nov. 1958), pp.30–44. JSTOR 650091 The grave with the inscription is within sight of the ruins of the Kirklees Priory, behind the Three Nuns pub in Mirfield, West Yorkshire. Though local folklore suggests that Robin is buried in the grounds of Kirklees Priory, this theory has now largely been abandoned by professional historians.

Robert Hood who is documented as having lived in the city of Wakefield at the start of the fourteenth century. Reginald Scot "Discourse upon divels and spirits" Chapter 21, quoted in Charles P. G. Scott "The Devil and His Imps: An Etymological Investigation" p. 129 Transactions of the American Philological Association (1869–1896) Vol. 26, (1895), pp. 79–146 Published by: The Johns Hopkins University Press JSTOR 2935696 2004, Imagining Robin Hood: The Late-Medieval Stories in Historical Context, Routledge ISBN 0-415-22308-3. The historicity of Robin Hood has been debated for centuries. A difficulty with any such historical research is that Robert was a very common given name in medieval England, and 'Robin' (or Robyn) was its very common diminutive, especially in the 13th century; [96] it is a French hypocorism, [97] already mentioned in the Roman de Renart in the 12th century. The surname Hood (by any spelling) was also fairly common because it referred either to a hooder, who was a maker of hoods, or alternatively to somebody who wore a hood as a head-covering. It is therefore unsurprising that medieval records mention a number of people called "Robert Hood" or "Robin Hood", some of whom are known criminals. Robin Hood and the Potter". Lib.rochester.edu. Archived from the original on 14 February 2010 . Retrieved 12 March 2010.Another reference, discovered by Julian Luxford in 2009, appears in the margin of the " Polychronicon" in the Eton College library. Written around the year 1460 by a monk in Latin, it says: James, Sarah (2019). "Unclean Priests and the Body of Christ: The Elucidarium and pastoral care in fifteenth-century England". In Clarke, Peter; James, Sarah (eds.). Pastoral Care in Medieval England: Interdisciplinary Approaches. Routledge. ISBN 978-1317083405. With tonic, the fresh plants are loud. The citrus and elderflower take over once more, filling the mouth with green at such a pace that it feels like (a far tastier version of) expanding foam. Pink grapefruit citrus steals its way through to the centre too, given a loud and lively voice by the acerbic quinine. It’s a very sweet, very enjoyable G&T, with a transporting freshness that fills the mouth with a keen sense of the outdoors.

There is no surprise why Yorkshire is titled as ‘God’s Own County’. Its idyllic scenery and cobbled streets are not only bestowed for its cosy community atmosphere, but the spirit of the region lies in its Yorkshire Gin. With an abundance of distilleries priding themselves on using the old copper stills and locally foraged ingredients, an eclectic and extensive range of award-winning gin brands and flavours have been birthed right here in Yorkshire. Davis, John Paul, Robin Hood: The Unknown Templar (London: Peter Owen Publishers, 2009) See locations associated with Robin Hood below for further details. Alexander, Wyntown (1872). Laing, David (ed.). The Orygynale Cronykil Of Scotland. By Androw of Wyntoun. Vol.2. Edmonston and Douglas. p.263. Since the 1980s, it has become commonplace to include a Saracen ( Arab/ Muslim) among the Merry Men, a trend that began with the character Nasir in the 1984 ITV Robin of Sherwood television series. Later versions of the story have followed suit: a version of Nasir appears in the 1991 movie Robin Hood: Prince of Thieves (Azeem) and the 2006 BBC TV series Robin Hood ( Djaq). [89] Spoofs have also followed this trend, with the 1990s BBC sitcom Maid Marian and her Merry Men parodying the Moorish character with Barrington, a Rastafarian rapper played by Danny John-Jules, [93] and Mel Brooks comedy Robin Hood: Men in Tights featuring Isaac Hayes as Asneeze and Dave Chappelle as his son Ahchoo. The 2010 movie version Robin Hood, did not include a Saracen character. The 2018 adaptation Robin Hood portrays the character of Little John as a Muslim named Yahya, played by Jamie Foxx.Luxford, JulianM. (2009). "An English Chronicle Entry on Robin Hood". Journal of Medieval History. 35 (1): 70–76. doi: 10.1016/j.jmedhist.2009.01.002. S2CID 159481033. Johnson's "The Sad Shepherd" ". Lib.rochester.edu. Archived from the original on 4 April 2010 . Retrieved 12 March 2010. Between 1963 and 1966, French television broadcast a medievalist series entitled Thierry La Fronde ( Thierry the Sling). This successful series, which was also shown in Canada, Poland ( Thierry Śmiałek), Australia ( The King's Outlaw), and the Netherlands ( Thierry de Slingeraar), transposes the English Robin Hood narrative into late medieval France during the Hundred Years' War. [94] D. Crook English Historical Review XCIX (1984) pp. 530–34; discussed in Dobson and Taylor, pp. xi–xxii. Blamires, David (1998). Robin Hood: A Hero for All Times. J. Rylands Univ. Lib. of Manchester. ISBN 0-86373-136-8.

Barczewski, Stephanie (2 March 2000). Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood. OUP Oxford. ISBN 9780191542732 . Retrieved 7 April 2020– via Google Books. Robin Hood and the Bishop of Hereford (Child Ballad 144, in Forresters titled Robin Hood and the Bishopp) Passage quoted and commented on in Stephen Knights, Robin Hood; A Mythic Biography, Cornell University Press (2003), p. 5. In the decades following the publication of Ritson's book, other ballad collections would occasionally publish stray Robin Hood ballads Ritson had missed. In 1806, Robert Jamieson published the earliest known Robin Hood ballad, Robin Hood and the Monk in Volume II of his Popular Ballads and Songs From Tradition. In 1846, the Percy Society included The Bold Pedlar and Robin Hood in its collection, Ancient Poems, Ballads, and Songs of the Peasantry of England. In 1850, John Mathew Gutch published his own collection of Robin Hood ballads, Robin Hood Garlands and Ballads, with the tale of the lytell Geste, that in addition to all of Ritson's collection, also included Robin Hood and the Pedlars and Robin Hood and the Scotchman.

Larsen, AndrewE. (20 September 2014). "The Inspiration For Disney's Robin Hood Wasn't Actually Robin Hood". Archived from the original on 10 August 2016 . Retrieved 13 August 2016. a b "The Child Ballads: 117. The Gest of Robyn Hode". sacred-texts.com. Archived from the original on 7 November 2011 . Retrieved 15 April 2008. Coke, Edward (1644). "90, Against Roberdsmen". The Third Part of the Institutes of the Laws of England. Dobson and Taylor wrote, 'More generally the Robin of the broadsides is a much less tragic, less heroic and in the last resort less mature figure than his medieval predecessor'. [67] In most of the broadside ballads Robin Hood remains a plebeian figure, a notable exception being Martin Parker's attempt at an overall life of Robin Hood, A True Tale of Robin Hood, which also emphasises the theme of Robin Hood's generosity to the poor more than the broadsheet ballads do in general.