The Final Frontier

Product Information

a b "Iron Maiden Announces The Final Frontier North American Tour With Dream Theater". Blabbermouth.net. 4 March 2010 . Retrieved 24 November 2011. Thirty years on from their eponymous debut album in April 1980, The Final Frontier will be Maiden's 15th studio album, making a remarkable average of a new album every two years for 30 years and totaling over 80 million album sales during this period.

First up lads, good job! I was a bit worried you were going to make Songs of War II but you seem to have resisted that temptation and written some songs about other things too. There's still a splattering of war songs though, so that's okay. Anyone receptive to the style the band have taken recently will know how special a song they're in for when the main, achingly beautiful melody begins in earnest at around the 40 second mark, and the song as a whole does not fail to deliver as it carries the listener on a journey through a varied landscape of searing beauty and tender despair.My family are arriving at 1pm from Los Angeles, and we all take the day off work. No one complains! Well, Delta screws up my family's flight, and leaves them with an enforced long layover in Atlanta - so I take the opportunity to go grocery shopping. I need everything at our condo - toilet paper, water... you get the picture, so it's a godsend to have time to prepare for them. The lifestyle of a bachelor doesn't necessarily meet all the needs of a young family, and once I've sorted out the house I head to the airport with Steve Gadd and Mike Kenney, who've come to give us a hand with the luggage and kids. (They offered and are very gracious and friendly - it's no Producer control-freak thing!). They finally arrive at 5pm and as they come through the Arrivals and I see them, I get a little misty as my 2 year-old Talon yells, "My daddy, my daddy, my daddy" .... sweet!! Bruce came by today to hear the five mixes that were done. Did a little touch up on When the Wild Wind Blows mix, compiled the lead vocals on The Alchemist and mixed it as well. Something really new is Starblind: progressive but different from what has been done on The Final Frontier’s immediate predecessor. It’s very difficult to bang your head to this one, as the vocals and the instruments meet at beginning and ending of a line but tread very different ways in between these to points. During the chorus one of the guitars starts playing a little solo melody (somewhere around 2:00), and some synthesizer can be heard if you listen closely. A very strange song, different from anything done before but when you listen to it you get the feeling that the formula is right. The different lines of the vocals, guitars, drums and bass are all contained within a wider melody. A potentially dangerous experiment but it turned out well.

The line "Too close to the sun, I surely will burn, like Icarus before me or so legend goes," is a reference to the ancient Greek myth of Icarus (also the subject of the band's 1983 song " Flight of Icarus"). It is easy to say that the cover of "The Final Frontier" is one of the most discussed since the "X Factor”. The truth is that we can say the same about the covers of "Virtual XI", "Dance Of Death", and even "A Matter of Life and Death". Because of Derek Riggs’s artworks, the fans have developed a clear image of Eddie that the line between good and bad in other arts is quite noticeable. When I saw, the "thing" that was supposed to be on the cover, I was left with quite mixed feelings, but like every other Maiden stuff, I learned to give it more time.

Iron Maiden announce the video premiere of 'The Final Frontier'

Suddenly, the band breaks into a passage that is not unlike, in spirit and structure, The Beatles’ The End: every guitarist gets a chance to solo, with new tones, ideas and melodies popping up every few seconds. For lovers of six-string (or 18-string, as the case may be) goodness, this is a sumptuous feast. The album's booklet has several sketches and illustrations by Melvyn, which leave us with a raised eyebrow, and we can be thankful that they didn't end up on the front cover. Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 29 June 2020.

Moffitt, Greg (18 August 2010). "Iron Maiden The Final Frontier Review". BBC Online . Retrieved 23 August 2010. Oh well, as long as the boys give us a couple more good albums before they call it quits, I won’t complain about such trifles. Aside from some minor flaws, “The Final Frontier” is another excellent effort proving once again that Maiden have accomplished the remarkable feat of staying artistically relevant after all these years instead of turning into a sorry self-parody endlessly rehashing some 25-year old classics everyone has already heard a million times. In the end, isn’t that all we can realistically ask for? I certainly wouldn’t be averse to getting treated to the second coming of “Piece of Mind”, but in the meantime, this latest incarnation of Iron Maiden will do just fine for me. I don’t have anything against long songs, as long as the song really needs to be long. For instance, if you’re telling a complex story that requires more than 6 or 7 minutes to be told. Remember The Rime of The Ancient Mariner? Or if the song is interesting enough, from a musical point of view, to keep your attention. And by that I mean if the song is dynamic and exciting, like The Thin Line Between Love and Hate, with its glorious chorus and fast pace, or Seventh Son of a Seventh Son, with its amazing guitar solos. The artwork for "The Final Frontier" was done by the well-known artist Melvyn Grant, who worked for Maiden on the covers of "Fear Of The Dark", "Virtual XI", "Death on The Road", "From Fear To Eternity" and the single "The Reincarnation Of Benjamin Breeg”. Grant himself admits that Riggs's style of artwork never appealed to him and he wanted to come up with his own version of Eddie as much as the band and management allow it. This, of course leads to brilliant results such as "Fear Of The Dark" and quite controversial ones like "Virtual XI" and "The Final Frontier". Further development in "Isle of Avalon" and reducing its timing (could be the modern homolog of The Duellists).Of course, no album out of this veteran fold would be complete without a towering collection of longwinded, labyrinth-like epics that somehow manage to find their way into familiar territory. As the aforementioned 2006 predecessor, over half of the songs on here break the 8 minute barrier. Unlike said album, these songs flow a little less gradually and almost remind of the band’s Bayley era epics, at times shifting abruptly but remaining constant for the most part. The winners in this bunch are “Starblind” and “The Man Who Would be King”, as they tend to mix things up a bit more and hearken a little closer to the space-like nature that the album is going for. Some of the other ones get a tiny bit convoluted, but for the most part the rest of the album is consistent in pursuing new territory while just keeping enough of Maiden’s signature character in place to keep from losing the audience.

a b "Iron Maiden: The Final Frontier review". Kerrang!. 1 August 2010. Archived from the original on 4 October 2010 . Retrieved 1 August 2010.The Final Frontier started of pretty slow with Satellite 15....The Final Frontier being a good song but a bit too long, El Dorado is a cathcy song but is a bit forgettable like Montségur from "Dance of Death" or The Mercenary from "Brave New World".