Decomposed: The Political Ecology of Music (The MIT Press)

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Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. If you follow the guidance from past 15 years, you'll most likely build the system shown in Figure 1.1. Hi there, I’m Lucie and I’m a writer (allegedly) but before that I’m a human and I know how hard it is to be a human. It’s a constant battle with yourself, the people around you, the world, and it’s exhausting and sometimes it can be too much but we find ways to keep going and books help me do that (as well as crying, screaming, potatoes). I find life absurd most of the time so I have to laugh about it or I’d go insane. And I’m still alive, despite constantly being in a fight with my brain, so I think I’ve got this. The brand new memoir from James Acaster: cult comedian, bestselling author of Classic Scrapes, undercover cop, receiver of cabbages. Each release becomes as small as possible and requires a full deployment of the entire application.

I’ve been playing the violin since I was 3, so as of 2022, it’s been 15 years. I believe that music unifies, and is a catalyst for social change, social justice, and equity. I’ve written two children’s books about different powers of music: Bailey Brings Her Friends Together with Music and The Aria in Me . With both of these books, I donate 100% of my proceeds to Kidznotes, a local North Carolinian organization, which provides underserved youth ensemble-based music instruction for personal, social, academic, and musical development and growth. I chose this list to inspire and captivate young readers and hopefully help them fall in love with music. :) Once you start looking at all the books and comics piled up on the bookcase, and remember the box of magazines in the corner, you realise that this is going to be a much bigger job. But where to start? We can work on the smaller parts individually using logical reasoning by making sure we think sensibly about the problem and possible solutions. Kyle Devine opens us to oil wells, studio albums, digital accessories, and much else —creative, horrible, and in between—on which music reproduction depends. Itself rendered with precision and elegance, Decomposed is fit for music lovers, social scientists, and all citizens of a tremulous earth.

MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History. Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology. MIT Press Direct is a distinctive collection of influential MIT Press books curated for scholars and libraries worldwide. Devine's critical history of recording formats throws a necessary wrench into [the] mythology of musical purity."

In this audacious book, Ana Maria Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by different living entities at the juncture of the human and nonhuman. Her "acoustically tuned" analysis of a wide array of texts reveals multiple debates on the nature of the aural. These discussions were central to a politics of the voice harnessed in the service of the production of different notions of personhood and belonging. In Ochoa Gautier's…

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I wrote Leaving the Beach because I was once bulimic and music-obsessed. After seeking help and recovering, I realized I wanted to write a realistic book about a bulimic woman; it was critical that I didn’t unintentionally romanticize any aspects of this insidious, potentially fatal disease. bosses: King Slime, the Eye of Cthulhu, Ocram, and Plantera, each with their own summoning requirements. PERFECT SOUND WHATEVER is a love letter to the healing power of music, and how one man's obsessive quest saw him defeat the bullshit of one year with the beauty of another. Because that one man is James Acaster, it also includes tales of befouling himself in a Los Angeles steakhouse, stealing a cookie from Clint Eastwood, and giving drunk, unsolicited pep talks to urinating strangers.