My Father's House: From the Sunday Times bestselling author of Star of the Sea (The Rome Escape Line, 1)

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There is a guest appearance by an outraged Pope, furious at O’Flaherty’s “insubordination” when it comes to visiting prisoners of war in Rome, fascinating in the light of what was later learned about the behaviour of the wartime pontiff in relation to the Nazi regime. The Vatican City is an independent country within Rome. And Monsignor Hugh O’Flaherty, along with an unlikely group of friends called ’the choir’, continue to provide refuge to those who can reach them. It’s an incredibly dangerous but tightly-run clandestine operation, and O’Flaherty remains frustratingly out of Hauptmann's grasp. O’Connor achieves this balance partly through characterisation and voices strong enough that we eagerly follow them through uncertainty, mundanity and disappointment as well as high-stakes jeopardy. The novel is built out of the present-tense close third-person narrative of the priest, Hugh O’Flaherty, the technique historical fiction owes to Hilary Mantel, interspersed with fictional interviews conducted for a radio programme in 1963 with the seven people running the escape line under Hugh’s direction. All have distinctive and often very funny voices: they are Irish, English, Italian, aristocrats and shopkeepers. This is a love letter to Rome, Italy, and Ireland, by turns heart-rending, comedic and awe-inspiring. O’Connor has a glorious way with words: he writes of Cahersiveen in County Kerry as a place “where a bottle of tomato ketchup would be considered exotic and possession of a clove of garlic would have you burned as a witch”. The cover of the book says “Occupied Rome. One man takes a stand.” Is this a book about one man or a book about a group of friends? Or something else?

Book club: My Father’s House by Joseph O’Connor Book club: My Father’s House by Joseph O’Connor

Joseph O’Connor’s earlier work was instrumental in demonstrating that modern historical fiction can mean novels of ideas and the state of the nation rather than works of populist nostalgia. Writing about second world war espionage and resistance is brave in this context – there are so many gold-lettered tales of homosocial derring-do sold to men in airports – but anyone buying My Father’s House with this expectation will find themselves expected to think as well as fantasise. The Irish writer Claire Keegan grew up on a farm in Wexford before going on to study English and political science at Loyola University, New Orleans, at the age of 17. Her debut collection of short stories, Antarctica, won the Rooney Prize for Irish Literature and the William Trevor Prize. Her novella Foster is now included as a text for the Irish Leaving Certificate and was described by The Times as one of the top 50 works of fiction to be published in the 21st century. Her novel Small Things Like These was shortlisted for the 2022 Booker prize. Her award-winning stories have been translated into 30 languages. O’Connor has a real gift for memorable scenes that live long in the memory and feel almost like a short story — the “choir” practising in a disused room and seizing a moment of harmony and happiness while creating their cover story; O’Flaherty hiding his notes away while under intense threat; the confrontation in the confessional; a network member realising that he does not have the courage that he needs to do the job that he volunteered for, and being met with understanding and sympathy by the rest of the network. Above all, it is a book that resonates because it retells a true story of courage, compassion, and defiance in dark days. (Readers who enjoy the story will find an excellent bibliography at the end of the novel to find out more about O’Flaherty.)

The book concludes with a deep study of great Christian themes, concerning love and repentance and sacraments. What does it mean at the end that Hugh baptises Hauptmann, but will not hear his confession? THIS stylish, gripping, and inspiring book, My Father’s House, is based on a true story of courage made manifest through the power of friendship. The title refers both to the fragile safety that the Vatican City provided for those resisting Nazism and, brilliantly, to the way in which Allied service personnel, refugees, and Jews were in hiding in “many mansions” all across the city. And as each chapter heading steers the reader to the countdown before the frighteningly risky next Rendimento, we become utterly invested in the safety and the ultimate fate of “our” Monsignor and the motley members of the Choir.

My Father’s House by Joseph O’Connor review - The Guardian

My father's house' is set in wartime Rome, occupied by the Nazis and lead by Gestapo commander Paul Hauptmann, who takes a hands on approach to his work. But there’s one place he can’t reach - Vatican City. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here. I was reminded of the novels of John Boyne, Kate Atkinson, and most unusually, Andrew O’Hagan’s wonderful novel on fame, Personality, which has a similarly dazzling way with voice and historical period detailO’Flaherty and Hauptmann are consciously set up as rivals in scenes reminiscent of the film Heat. Both men are haunted by the possibility of failure and driven by how much rests on their success.

My Father’s House (The Rome Escape Line Trilogy, 1)

As though a priest dressed like that was the most everyday sight you ever saw. And the bang of motor oil off him.” Ah, yes, as my old art editor used to say, he can throw a word to a pig. O’Flaherty himself is a complex and believable hero. Part of O’Connor’s genius is that we hear O’Flaherty’s own voice and see him through the narration of his friends. He is a papal diplomat brought up in rural Ireland in the bloody years of Irish Independence. We learn to know him through the warm tales of his life as a priest fresh to Rome, and his delight and ease in the city. He came to be friends with the people who are risking their lives alongside him. The mix of first- and third-person narratives feels fresh, insightful, and true. I found this a strong work of historical fiction, strengthened by the fact that it was based on a true story, and is very much about compassion, love, faith, and resilience during the most extreme of circumstances. This is book one of the Rome escape line trilogy, so I'll be looking forward to the next two release from Joseph O’Connor.Child facing expulsion from football club after parent 'refused to let him play against Jewish team' Here he’s ambling up the steps to the residence and he grey with the dust from boots to helmet, huge leather gloves on him like a flying ace, and he blessing himself at the Lourdes water font on the hall stand.

My Father’s House by Joseph O’Connor — rebel with a cause My Father’s House by Joseph O’Connor — rebel with a cause

For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. MyHome.ie (Opens in new window) • Top 1000 • The Gloss (Opens in new window) • Recruit Ireland (Opens in new window) • Irish Times Training (Opens in new window) If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month.Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? Certainly would make a great movie, and it becomes natural to draw comparisons with Oscar Schindler. It's thought that through O'Flaherty, with the help of his choir and surrounding network, over 6,000 people were saved. The novel, set in Rome in 1943, is based on the extraordinary true story of a Catholic priest, Hugh O’Flaherty, and the running battle of wits he and a team of unlikely conspirators played against Rome’s terrifying Gestapo leader, Paul Hauptmann. Hauptmann embodies something of the terrible paradoxes in the heart of Germany in the 1930s — cultured and brutal, urbane and ruthless. He brings his family with him, living a troubling double life as a dealer of arbitrary death and a father. At times, you have to stop to think hard about what is happening, because it is so awful and yet, in the story, mundane. The narrative moves on, but someone’s torture is beginning, or their life ends. Towards the end of the book, that gap shuts horribly as, casually and meaninglessly, Hauptmann executes someone whom we thought he liked.