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While I generally agree with your comments regarding high rise trousers, I have to say that I disagree with your analysis of Simon’s style (sincere apologies for the objectification Simon). Have flanging passage 11 on the flanging spare in the present embodiment 1, the structure of flanging passage 11 is a flat, dwindle gradually to channel outlet 13 from the channel entrance 12 of flanging passage 11, promptly the channel entrance in the present embodiment 12 is greater than channel outlet 13, and has raised line 14 at channel entrance 12 places. Garment-dyed trousers are unlikely to be suitable because the area where the loops were stitched may be a noticeably different (undyed) colour.

Similarly, I believe that Simone will not argue that certain body type requires a shorter length of a jacket, for instance, one that does not entirely cover one’s seat. It seems to me that there is more reason to use the correct technical term today, because so many people roll up the bottom of their jeans – which does NOT represent a PTU!To be honest that sounds like it might be down to the cheapness of the make (the hardware, but also the structure in the waistband).

I would say that a lapped seam is less formal though, than say a typical trouser seam where the two edges simply meet upon the same plane and there is no additional heft to that seam.The utility model has significantly reduced the workload of making waist of trousers elastic cord, has improved high efficiency, thereby has reduced production cost. Also, concerning button fly – do tailors usually reinforce the piece that buttons go through with thin lining, or is it just one layer of the trousers cloth for them? Indeed, there is the same danger of confusion – someone might think I meant a particular type of turn-up, if they haven’t heard the phrase before. When you use some of the cheaper tailors outside London or in places like Asia, you do sometimes notice that the trimmings aren’t as good – the quality is less.

My tailor expressed concern whether it would be able to keep the shape of the fabric on its top and not curve outwards with time.If you look at the Apparel Arts Laurence Fellows drawings of the 30s and 40s, and if you look at Brooks Brothers ads postwar through the end of the 20th century at least, all trousers were cuffed except for black tie. I wear a mix of braces (for more formal trousers where I’ll also usually wear a jacket) and belts (for more causal trousers); occasionally I wear side adjusters, but find they’re not effective with heavier casual materials. Personally (and it is personal on most of these style points) I think they look OK on shorts but I wouldn’t have them on trousers.

With some heavy cottons like canvas and twill you might get holes left behind where the stitching was. Frogging originally was a more elaborate, but discrete method of having a fastening which did not require holes to be cut into, and buttons attached to a coat. And pick stitching in places like the side seams and pocket edges does look nice – but I find today I rarely want to pay extra for it. Oh, and do try your side adjustors when you get a pair of trousers, to make sure they can hold the material and not slip. Which includes the fact I find them less comfortable, less convenient, and a little antiquated when the jacket is removed.

I guess that’s unlikely to work too well on my lighter weight suits, so should I be looking at this differently? That way there is always the risk of forgetting the zip since the trousers can feel closed when the waistband is buttoned even if the fly is still open. The 1930s were a unique decade in modernity, which many outside the sphere of style harken back to (see ex. I know Daks adjustors have their fans, but personally I don’t want elastic in my waistband if I can help it.