Games Workshop Warhammer AoS - Azyrite Ruins

Product Information

You can block or delete them by changing your browser settings however, as described below under the heading " How can I control cookies? Easily add scenery to your games of Warhammer Age of Sigmar with this set of 12 push-fit plastic ruins.

The longer sections of ruined wall can be joined together to make a single, longer section, the whole piece bedecked with detailed Sigmarite iconography, and the entire set is push-fit – no glue is required to assemble, meaning you can have this set on your gaming table almost immediately!I wanted the plaster between the bricks to stand out from the rest of the model, like the building had been hastily bricked up before they became ruins. We mainly cover Warhammer 40k, Fantasy, Age of Sigmar, Warmachine, Hordes, X-Wing, Infinity, Horus Heresy, and Star Wars Armada. The brickwork is a bit flat for our tastes but there is enough detail around it to make it look realistic. Finally, I picked out the twin-tailed comets and lettering with Scale 75 Metal ‘n’ Alchemy Dwarven Gold.

For the wood areas I wanted to keep it simple and let all that wonderful detail in the sculpt do the work for me. Included in the set: 6 large ruined walls; 2 small ruined walls; 2 padlocked grills; 2 padlocked chests. Then to really bring out the wood grain, I drybrushed all the wooden parts across the grain with Zandri Dust. Using high-quality printed terrain, combined with GW models from the Azyrite set, this set is perfect for adding some vibrancy and wildness to your wargames. However, these are some really nice models so I didn’t want to practice my terrible greenstuff sculpting skills on them.It makes 3 sections of ruins, 2 of which feature raised floor sections, a corner piece, a broken pillar, and includes a padlocked chest. As it’s fairly similar and a certain Youtube painters bang on about it I decided to get some Vallejo Model Colour Pale Sand. When I first started way back in the day (circa 2002) the idea that the sculpt itself would have wood grain would have been unthinkable.

As the means by which you can refuse cookies through your web browser controls vary from browser-to-browser, you should visit your browser's help menu for more information. This kit is on his paint bench to provide you the full breakdown of what you can expect to find inside. Create gloomy, sinister battlefields for Warhammer Age of Sigmar with the Azyrite Ruined Chapel - a set of modular terrain that makes adding ruins to your gaming board simple. I find the hexwraith technical paint a very nice product to work with (largely since it does all the work, similar in some ways to the new contrast paints, except it is very livid in colour). These sets are also compatible with the Azyrite Ruins kit, giving you limitless possibilities when building your scenery .

Really pleased with how these turned out, they definitely look better in an off white colour than the usual grey that everyone uses for ruins. Adding extra levels to battle over and cover to hide behind, they're perfect for adding tactical depth to your games. This is accented with the green columns for which I have used a white basecoat and then inked with Hexwraith Flame.

I just could not get the two halves to sit flush and I had to take the clippers to where it joins to the building to get it looking presentable. Please re-visit this Cookie Notice regularly to stay informed about our use of cookies and related technologies. But, I hear you ask if you were going to basecoat them Wraithbone why didn’t you just use a spray can? These fantasy jungle ruins offer the perfect variety of Line-of-Sight blocking terrain and Area-terrain for your wargames. They perform functions like preventing the same ad from continuously reappearing, ensuring that ads are properly displayed for advertisers, and in some cases selecting advertisements that are based on your interests.

Rules for using these scenery pieces in games of Warhammer Age of Sigmar are available as a PDF download. This is gone over with a wash of brown-black mud colour (my own concoction) and then drybrushing with kislev flesh. He is known for bold colour schemes and sharp edge highlights, which he paints with typical German perfectionism (one of the reason he is such a notoriously slow painter).